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DTSTART;TZID=Europe/Madrid:20250605T180000
DTEND;TZID=Europe/Madrid:20250915T180000
DTSTAMP:20250602T133523Z
CREATED:20250602T132207Z
LAST-MODIFIED:20250602T133523Z
UID:10000039-1749146400-1757959200@mallorca.art
SUMMARY:Azul - María Edwards
DESCRIPTION:The Lightness of the Void\n/ by Héctor Soto \nMaría Edwards’s art is suspended in the weightlessness of space and the persistence of time.\nHer works\, which are light and seemingly fragile\, refer to lines that connect distant points and draw what appears to be the universal fabric of the firmament and the inscribed mystery of celestial bodies. Since there\, in outer space\, there is an order\, regularities\, alternations\, and luminosities that astronomy has tried to explain since the dawn of time\, it is not surprising that both faith and science have sought explanations in these phenomena not only to understand how the universe works but also under what codes life operates. If\, as pre-Socratic philosophy suspected\, it is true that things up above happen in an orderly manner\, there would be no reason why things down here should not respond to the same legality.\nThe problem is that this logic is not revealed immediately. You have to go out and find it through recurrent and incessant searches. \nAs a visual artist\, María Edwards works on the experience of contemplation. Hers is a gaze\nthat transcends both the crowd and contingency. Only from isolation and from the\nmajesty of open and immeasurable spaces\, which are in the astral vault but also in the\nsunsets of the northern Chilean desert\, can her art formulate the locations she proposes. In\nthis\, it is not much different from what astronomers do: observe and measure\, project and calculate. Except that\nshe is not guided by telescopes or space observatories. She is guided by intuition and the resolute confidence\nthat the celestial order has\, or could have\, or should have\, a correlation here below\, based on\na statute that could be unraveled by interrogating the line\, pendulum movements\, music\,\nscience\, or mathematics.
URL:https://mallorca.art/event/azul-maria-edwards/
LOCATION:Xavier Fiol\, Carrer de Sant Jaume\, 23A\, Palma de Mallorca\, Illes Balears\, 07012\, Spain
ATTACH;FMTTYPE=image/jpeg:https://mallorca.art/wp-content/uploads/2025/06/AZUL_-de-Maria-Ignacia-Edwards.jpg
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20250322
DTEND;VALUE=DATE:20250531
DTSTAMP:20250314T234326Z
CREATED:20250314T234243Z
LAST-MODIFIED:20250314T234326Z
UID:10000017-1742601600-1748649599@mallorca.art
SUMMARY:The Painted Word - Tim Ayres i Avelino Sala\, ART PALMA BRUNCH
DESCRIPTION:The Painted Word is an exhibition project that focuses on the work of two artists who work with elements that directly refer to books\, novels\, or texts. Taking the title of Tom Wolfe’s 1975 book as a reference\, it serves as a pretext to articulate what is truly a dialogue between the two artists. \nWhile Tim Ayres (1965\, HasAngs) treats words almost like concrete poems in his canvases\, Avelino Sala (1972\, Gijón) gives more importance to the book as an object. Sala moves between sculpture and painting with different series of works made with books. He uses art history as a reference\, using pieces by Piet Mondrian\, Josef Albers\, Yves Klein\, and Carl Andre\, to infuse the works with textual content and messages. Messages are a central theme in the work of these two artists\, so proposing this dialogue constitutes an important exercise in interrelation between the gallery’s artists. \nOpening hours:\nMonday – Friday\n11.00 – 13.30\, 17.00 – 20.00
URL:https://mallorca.art/event/the-painted-word-tim-ayres-i-avelino-sala-art-palma-brunch/
LOCATION:Xavier Fiol\, Carrer de Sant Jaume\, 23A\, Palma de Mallorca\, Illes Balears\, 07012\, Spain
CATEGORIES:ART PALMA BRUNCH
ATTACH;FMTTYPE=image/png:https://mallorca.art/wp-content/uploads/2025/03/Captura-de-pantalla-2024-02-15-a-las-18.59.59.png
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