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DTSTART;VALUE=DATE:20250322
DTEND;VALUE=DATE:20250531
DTSTAMP:20250314T230646Z
CREATED:20250314T204553Z
LAST-MODIFIED:20250314T230646Z
UID:10000007-1742601600-1748649599@mallorca.art
SUMMARY:Los silencios del estudio - Jean Marie del Moral\, ART PALMA BRUNCH
DESCRIPTION:Born to a Catalan mother and an Andalusian father\, son of exiles\, Jean Marie del Moral was born and raised in France. At the age of 9\, he bought a second-hand Agfa Box at a street market\, which revealed his passion for photography. Driven by this\, in his adolescence\, he worked as an assistant photographer and cultivated his technical mastery. With sports reports\, he acquired quickness of vision and agility of execution\, while later\, with photojournalism for the newspaper L’Humanité\, he captured the social with respect and humanism. \nIn 1974\, his move to Montreal allowed him to travel frequently to New York to discover the abstract expressionist painters and the balance and silence of the photographs of Paul Strand and Walker Evans\, among others. Later\, he also traveled to the USSR\, where he photographed the Bolshoi\, its sets\, costumes and dancers. In 1978\, having settled back in Paris\, he resumed his service with L’Humanité Dimanche and\, that same year\, had the opportunity to photograph Joan Miró in his studio. This was the starting point of his personal project: to portray the artist in his studio\, in his “mental universe”. \nIn 1980\, he extensively portrayed the sculptor Fenosa and\, in the following years\, the Spanish artists of the School of Paris and their later generation: Antonio Saura\, Eduardo Arroyo\, Miguel Ángel Campano\, among others. In 1985\, in Paris\,he met and portrayed the Mallorcan painter Miquel Barceló\, who he would continue to portray throughout his career in Barcelona\, ​​Mali and Mallorca. In 1990\, in his studio\, he photographed Robert Motherwell\, Sam Francis and\, the following year\, Roy Lichtenstein and Richard Teixer\, among others. \nIn 2000\, he portrayed the Californian painter James HD Brown\, in Mexico. In 2008\, he photographed the painters Yue Minjun\, Zhang Xiaogang\, Zeng Fanzhi and Ai Weiwei in Beijing\, for Madame Figaro. In 2013\, he settled in Mallorca\, where he continued his work portraying artists. His work portraying artists and studios has given rise to a multitude of publications in the form of books\, magazines and documentaries. At the same time\, Del Moral collaborates with numerous international magazines such as Vogue\, Fortune\, El País Setmanal\, Beaux-Arts Magazine\, Ambient\, Elle\, Town and Country\, L’Expansion\, Madame Figaro\, Travel and Leisure\, AD\, Departures\, ForbesLife\, World of Interiors\, ArtKunstmagazin\, Holiday\, Icon. \nHe has photographed approximately sixty commissioned books on the art of living and cooking\, published by Éditions du Chêne\, Flammarion\, Thames & Hudson\, Martinière\, Actes-Sud\, Aubanel\, Assouline\, Phaidon\, Rizzoli and Harvill Press. In addition to his work on artists and studios\, and his work for the press and publishers\, he also carries out personal research into urban landscapes\, nature\, portraits and architecture; Photography is\, at all times\, the true protagonist\, whatever the situation or the character in front of its camera; silence and visual coherence from the kind gaze are its foundations. \n\nOpening hours:\nMonday – Friday\n10.00 – 18.00
URL:https://mallorca.art/event/victoria-cantons/
LOCATION:Aba Art\, Plaça de la Porta de Santa Catalina\, 21B\, Palma de Mallorca\, Illes Balears\, 07012\, Spain
CATEGORIES:ART PALMA BRUNCH
ATTACH;FMTTYPE=image/jpeg:https://mallorca.art/wp-content/uploads/2025/03/Jean-Marie-del-Moral-en-su-estudio-por-Beatrice-Piesliakaite-para-ABA-ART.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20250323
DTEND;VALUE=DATE:20250407
DTSTAMP:20250315T153349Z
CREATED:20250315T153349Z
LAST-MODIFIED:20250315T153349Z
UID:10000025-1742688000-1743983999@mallorca.art
SUMMARY:Museu de Pollença\, ART PALMA BRUNCH
DESCRIPTION:Palma/Pollença Brunch\nDiumenge 23 de març \n\nART POLLENÇA 2025. El present del gran llegat\nCloenda: diumenge 06 d’abril 2025\nEsglésia del Convent de Sant Domingo de Pollença \n\nOpening hours:\nMonday – Sunday\n10.30 – 13.30\, 17.00 – 20.00
URL:https://mallorca.art/event/museu-de-pollenca-art-palma-brunch/
LOCATION:Museu de Pollenca\, Carrer Pere Josep Cànaves Salas\, Pollenca\, Illes Balears\, 07460\, Spain
CATEGORIES:ART PALMA BRUNCH
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20250324
DTEND;VALUE=DATE:20250405
DTSTAMP:20250315T144704Z
CREATED:20250315T143040Z
LAST-MODIFIED:20250315T144704Z
UID:10000019-1742774400-1743811199@mallorca.art
SUMMARY:Reinterpretaciones #1 - Alumnes del Grau de Belles Arts d’ADEMA\, ART PALMA BRUNCH
DESCRIPTION:Opening hours:\nMonday – Saturday\n11.00 – 13.30\, 17.00 – 20.00
URL:https://mallorca.art/event/reinterpretaciones-1-alumnes-del-grau-de-belles-arts-dadema-art-palma-brunch/
LOCATION:ADEMA Escuela Universitaria\, Carrer de Sant Jaume\, 4\, Palma de Mallorca\, Illes Balears\, 07012\, Spain
CATEGORIES:ART PALMA BRUNCH
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Madrid:20250417T170000
DTEND;TZID=Europe/Madrid:20250903T170000
DTSTAMP:20250602T110902Z
CREATED:20250602T110239Z
LAST-MODIFIED:20250602T110902Z
UID:10000029-1744909200-1756918800@mallorca.art
SUMMARY:A FAMILY AFFAIR - Curated by Emilie Boe Bierlich
DESCRIPTION:A Family Affair is an extraordinary art exhibition celebrating the intergenerational artistic dialogue between Danish artist Lin Utzon\, based in Mallorca\, and her children\, Naja Utzon Popov (Copenhagen) and Mika Utzon Popov (Sydney). \nThe exhibition\, held at the prestigious CCA Andratx art center in Mallorca\, brings together three distinct yet connected bodies of work under the themes of Eternity\, Terra\, and Domus Meus\, showcasing the aesthetic sensibilities and intertwined narratives of a family deeply connected to art\, nature\, and the island of Mallorca. This exhibition not only celebrates the artistic individuality of each of them but also explores the ties that bind them across countries\, materials\, and generations. \nDespite living on different continents—Australia\, Spain\, Denmark\, and beyond—their upbringing and shared time in Mallorca form the foundation of their work. The land\, light\, and materials of Mallorca inspire their creations\, connecting them to the island’s geography and spirit. \nA Nomadic Narrative\nThis family’s art reflects their nomadic lifestyle\, shaped by the soft light of the north and the intense luminosity of the south. Each artist’s practice resonates with this international dynamic:
URL:https://mallorca.art/event/a-family-affair-curated-by-emilie-boe-bierlich/
LOCATION:CCA Andratx\, Carrer S’estanyera\, 2\, Andratx\, Illes Balears\, 07150\, Spain
ATTACH;FMTTYPE=image/jpeg:https://mallorca.art/wp-content/uploads/2025/06/Lin-Utzon-Ceramic.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Madrid:20250523T180000
DTEND;TZID=Europe/Madrid:20250705T180000
DTSTAMP:20250602T132029Z
CREATED:20250602T131145Z
LAST-MODIFIED:20250602T132029Z
UID:10000038-1748023200-1751738400@mallorca.art
SUMMARY:Shoreline - Curated by William Noel Clarke
DESCRIPTION:Shorelines are sites of constant and visible transformation\, where change unfolds over hours rather than millennia. They marked the location of the tetrapod’s first uncomfortable\, wriggling\, and laborious steps within the intertidal zone between 390 and 360 million years ago\, and they continue to shape the evolution of life today. As dynamic habitats\, shorelines demand continual adaptation from the organisms that inhabit them\, responding to shifting tides and changing climates. \nShoreline is an exploration of these singular environments and their relevance to human experience. It addresses the ecological\, geopolitical\, and aesthetic significance of coastal zones\, framing them as natural thresholds and as spaces of “contamination-as-collaboration.” \nProviding resilient\, diverse ecosystems and acting as natural boundaries\, shorelines stand in contrast to the human conception of a border as a fixed and defined separation. Instead\, they represent thresholds defined by continuous negotiation. As one description puts it: “It is a site of arrivals and departures\, of safe harbours and hostile intrusions. At once embedded in local traditions and subject to industrial development\, it hosts encounters between different populations and environments\, the terrestrial and the aquatic.” \nThese points of contact serve as incubators for a remarkable diversity of life\, embodying a model of survival and coexistence based on collaboration and symbiosis. As spaces of constant change—and therefore constant vulnerability—Anna Tsing’s concept of contamination as collaboration becomes particularly relevant. Shorelines depend on the evolving relationships and interactions among species\, both human and non-human. For instance\, tides regulate crab populations by providing birds periodic access to feed on them. Meanwhile\, the Gulf of Bothnia\, the Red Sea\, and the Persian Gulf illustrate how natural coastlines have shaped geopolitical boundaries—many of which now face escalating crises exacerbated by human activity\, such as commercial shipping. \nArtisits\nMaria Thereza Alves\nRachael Louise Bailey\nSeana Gavin\nBianca Hlywa\nYulia Iosilzon\nYaYa Yajie Liang\nHannah Rowan\nRain Wu
URL:https://mallorca.art/event/shoreline-curated-by-william-noel-clarke/
LOCATION:Tube Gallery\, Carrer Nicolau de Pacs\, 25\, Palma de Mallorca\, Illes Balears\, 07006\, Spain
ATTACH;FMTTYPE=image/webp:https://mallorca.art/wp-content/uploads/2025/06/Tube_Gallery.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Madrid:20250605T080000
DTEND;TZID=Europe/Madrid:20251026T170000
DTSTAMP:20250602T135513Z
CREATED:20250602T134220Z
LAST-MODIFIED:20250602T135513Z
UID:10000040-1749110400-1761498000@mallorca.art
SUMMARY:Hauser & Wirth - Menorca
DESCRIPTION:Throughout 2025\, solo exhibitions by New York-based artists Mika Rottenberg and Cindy Sherman will open\, along with a presentation focusing on the works of Eduardo Chillida and the incorporation of outdoor sculptures by Phyllida Barlow\, Eduardo Chillida\, Gary Simons\, and David Zink Yi. \nThe exhibition space consists of eight galleries and an outdoor sculpture trail that has featured works by some of the most prestigious contemporary artists and great masters of modern art\, such as Louise Bourgeois\, Mark Bradford\, Martin Creed\, Roni Horn\, Rashid Johnson\, Pipilotti Rist\, and Christina Quarles.
URL:https://mallorca.art/event/hauser-wirth-menorca/
LOCATION:Hauser & Wirth – Menorca\, Illa del Rei\, S/N\, Illes Balears\, 07700\, Spain
ATTACH;FMTTYPE=image/png:https://mallorca.art/wp-content/uploads/2025/06/Mika_Rottenberg.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Madrid:20250605T080000
DTEND;TZID=Europe/Madrid:20250915T170000
DTSTAMP:20250602T130950Z
CREATED:20250602T130414Z
LAST-MODIFIED:20250602T130950Z
UID:10000037-1749110400-1757955600@mallorca.art
SUMMARY:Udol - Maíllo\, Adrían Martinez i Albert Pinya
DESCRIPTION:Project curated by TOMEU SIMONET\, artist and independent curator. \nParticipating artists:\nMAÍLLO (Madrid\, 1985)\nADRÍAN MARTINEZ (Ibiza\, 1984)\nALBERT PINYA ( Palma\, 1985) \n“UDOL” brings together the work of 3 artists\, Albert Pinya\, Maíllo\, and Adrián Martínez\, the 3 belonging to\nthe same generation\, born in the mid-80s and with very personal artistic languages ​​through which\nthey express a certain subversion towards what is established. Through their pictorial work\,\nwith a certain punk attitude\, and always experimenting\, in a continuous search that aims to generate\nreflection in the viewer. \nThree artists with an already extensive and recognized career\, who share not only a generation\, but also a bold and personal approach to their art. They seek through their work to challenge the conventional and provoke reflection in those who observe it. This punk attitude and their constant experimentation certainly bring a unique energy to their work and to the exhibition as a whole. A special interest in bringing pictorial practice to other supports is also evident in this exhibition\, in an interest in experimentation and innovation\, both in terms of language and in the support itself. Research in textiles\, ceramics and other materials enriches their artistic work and makes this a unique exhibition. By combining different techniques and media\, these artists can explore new textures\, shapes and concepts. In addition\, each support has its own history and characteristics\, something that undoubtedly influences their creative process. In “UDOL” painting is understood as a means of expression and transformation at a cultural\, political and social level. \n 
URL:https://mallorca.art/event/udol-maillo-adrian-martinez-i-albert-pinya/
LOCATION:Pep Llabres\, Carrer de Sant Jaume\, 17\, Palma de Mallorca\, Illes Balears\, 07012\, Spain
ATTACH;FMTTYPE=image/webp:https://mallorca.art/wp-content/uploads/2025/06/pep_llabres.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Madrid:20250605T080000
DTEND;TZID=Europe/Madrid:20250912T170000
DTSTAMP:20250602T095713Z
CREATED:20250602T095413Z
LAST-MODIFIED:20250602T095713Z
UID:10000027-1749110400-1757696400@mallorca.art
SUMMARY:Je suis en suite - Rafa Forteza
DESCRIPTION:Rafa Forteza\nRafa Forteza (Palma\, 1955) returns to the 6A TALLER I GALERIA D’ART with a solo exhibition under the title “JE SUIS\, ENSUITE” (I am\, then).\nForteza shares a specific project\, in which the noise\, in the best sense\, pictorial becomes silence in order to invite the viewer to connect with the way of understanding the world\, with emotions\, with painting in its purest state. \nThe brushstroke can be\, over time it has become more contained\, more leisurely\, more serene. nothing to do with a possible restlessness\, the painter has a lot to say. Forteza is counting\, painting\, experiencing the different emotions\, in layers. it is a constant addition\, the isolation of the different pictorial elements is unthinkable because they merge into a whole. Forteza is incapable of subtracting. \n \nRafa Forteza is the author of a discourse that is at times dense and eloquent\, in which the synthesis seems unthinkable\, explosive\, hot\, powerful\, without leaving any emotion\, any thought\, aside. If there is one thing that defines the painter\, it is that he hides nothing. What he thinks\, what he feels comes to the\nsurface\, in a pictorial staging that does not leave indifferent anyone who decides to enter a limitless universe. \nMaturity has positioned painting in a state of complete freedom\, in which technical mastery allows it to explore any plot\, whether in public or intimate. Forteza’s painting can be fragmented less and less each time\, painting and painter are one whole. Over the years\, painting has become a self-portrait. He speaks as he paints\, he paints as he lives. A unique experience that he generously shares. The 6th offers an exhibition in which painting\, lithography and above all paper are the protagonists. \nThe author has always had traditional printing techniques as a resource that he has made his own. He masters the technique of engraving and lithography like no one else. On this occasion\, the graphics come together in a sort of suite of a unique pictorial series. The title refers to the terminology used in the language of intaglio printing throughout the history of art. In an inevitable play on words\, Rafa Forteza puts us\, once again\, in front of the challenge of experiencing painting in freedom. The exhibition opens next Thursday\, June 5th from 6pm to 10pm\, as part of L’ART PALMA SUMMER.
URL:https://mallorca.art/event/je-suis-en-suite-rafa-forteza/
LOCATION:6a Taller & Galeria\, Carrer de la Puresa\, 8\, Palma de Mallorca\, Illes Balears\, 07001\, Spain
ATTACH;FMTTYPE=image/jpeg:https://mallorca.art/wp-content/uploads/2025/06/Estudio-Rafa-Forteza-pic-by-Natasha-Lebedeva.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Madrid:20250605T180000
DTEND;TZID=Europe/Madrid:20250915T180000
DTSTAMP:20250602T133523Z
CREATED:20250602T132207Z
LAST-MODIFIED:20250602T133523Z
UID:10000039-1749146400-1757959200@mallorca.art
SUMMARY:Azul - María Edwards
DESCRIPTION:The Lightness of the Void\n/ by Héctor Soto \nMaría Edwards’s art is suspended in the weightlessness of space and the persistence of time.\nHer works\, which are light and seemingly fragile\, refer to lines that connect distant points and draw what appears to be the universal fabric of the firmament and the inscribed mystery of celestial bodies. Since there\, in outer space\, there is an order\, regularities\, alternations\, and luminosities that astronomy has tried to explain since the dawn of time\, it is not surprising that both faith and science have sought explanations in these phenomena not only to understand how the universe works but also under what codes life operates. If\, as pre-Socratic philosophy suspected\, it is true that things up above happen in an orderly manner\, there would be no reason why things down here should not respond to the same legality.\nThe problem is that this logic is not revealed immediately. You have to go out and find it through recurrent and incessant searches. \nAs a visual artist\, María Edwards works on the experience of contemplation. Hers is a gaze\nthat transcends both the crowd and contingency. Only from isolation and from the\nmajesty of open and immeasurable spaces\, which are in the astral vault but also in the\nsunsets of the northern Chilean desert\, can her art formulate the locations she proposes. In\nthis\, it is not much different from what astronomers do: observe and measure\, project and calculate. Except that\nshe is not guided by telescopes or space observatories. She is guided by intuition and the resolute confidence\nthat the celestial order has\, or could have\, or should have\, a correlation here below\, based on\na statute that could be unraveled by interrogating the line\, pendulum movements\, music\,\nscience\, or mathematics.
URL:https://mallorca.art/event/azul-maria-edwards/
LOCATION:Xavier Fiol\, Carrer de Sant Jaume\, 23A\, Palma de Mallorca\, Illes Balears\, 07012\, Spain
ATTACH;FMTTYPE=image/jpeg:https://mallorca.art/wp-content/uploads/2025/06/AZUL_-de-Maria-Ignacia-Edwards.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Madrid:20250605T180000
DTEND;TZID=Europe/Madrid:20250911T180000
DTSTAMP:20250608T201326Z
CREATED:20250602T125439Z
LAST-MODIFIED:20250608T201326Z
UID:10000036-1749146400-1757613600@mallorca.art
SUMMARY:Galeria Pelaires
DESCRIPTION:Planta Baja: La lección de geometría – Alejandro Campins\nThese paintings conjure dreamlike states and spaces of uncanny landscapes and ambiguous structures. In Campins’s work\, technique and imagery come together to evoke otherworldly atmospheres that suggest emptiness but at the same time seem filled with a psychological charge that is as powerful as it is elusive. Executed primarily in oil paint (as well as with watercolor and pencil)\, Campins’s work displays a classically grounded command of line and composition and a heightened sensibility for chromatic hues and overtones. His brushwork is subtle but assured and his use of color is muted but finely calibrated\, yielding veiled and seemingly weathered surfaces that echo the content of the paintings’ imagery. In Campins’s work\, there is a sense that past and future are overlaid\, remembrance and imagination are intertwined\, permanence and impermanence co-exist. \nPlanta Noble: Ni mundo interior ni mundo exterior – Carlos Garaicoa\nCarlos Garaicoa is a Cuban contemporary artist\, specializing in photography and installations. Garaicoa became a prominent Cuban artist in the nineteen-nineties after a massive exodus of artists who had played a decisive role in the Cuban art movement of the nineteen-eighties. \nPati: Leunora Salihu\nLeunora Salihu (Pristina\, Kosovo\, 1977) is a sculptor whose work explores the intersections between form\, space\, and materiality. She studied Sculpture at the Academy of Fine Arts in Pristina before fleeing to Germany in 1999\, where she continued her studies at the Muthesius Kunsthochschule in Kiel and later at the Kunstakademie Düsseldorf\, graduating in 2009 under the tutelage of Tony Cragg. \nHer artistic practice focuses on material research\, combining ceramics\, wood\, and metal to create sculptural compositions that challenge conventional relationships between movement and stability\, volume and void\, function and abstraction. \nPelaires Cabinet: All I Do the Whole Day Through – Pace Taylor\nPace Taylor (b. 1992) is a soft pastel artist whose work is emotionally preoccupied with intimacy and the people we choose to build it with. They received their BFA in Digital Arts from the University of Oregon in 2015 and have since exhibited internationally at venues including Nationale\, Upfor\, Oregon Contemporary\, ILY2\, and La Loma Projects (USA); Double V Gallery (Paris); Weserhalle (Berlin); and Rhodes Contemporary (London).
URL:https://mallorca.art/event/galeria-pelaires/
LOCATION:Galeria Pelaires\, Carrer de Can Verí\, 3\, Palma de Mallorca\, Illes Balears\, 07001
ATTACH;FMTTYPE=image/jpeg:https://mallorca.art/wp-content/uploads/2025/06/Pelaires_Art_Palma_Summer-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Madrid:20250605T180000
DTEND;TZID=Europe/Madrid:20250915T170000
DTSTAMP:20250602T124044Z
CREATED:20250602T123857Z
LAST-MODIFIED:20250602T124044Z
UID:10000035-1749146400-1757955600@mallorca.art
SUMMARY:Lines of Thought - Thomas Lisle
DESCRIPTION:Maior Gallery is pleased to present Lines of Thought\, a solo exhibition by British artist Thomas Lisle\, whose work has explored the boundaries of painting for over four decades. Known for connecting traditional and digital media\, Lisle’s work moves fluidly between acrylic on canvas and digital animation created with 3D software used in cinematic visual effects. In this exhibition\, Lisle presents linear compositions on canvas in vivid colors alongside a series of digital works he describes as “time-based paintings\,” paintings with the qualities of a moving image. \nThese animations depict paint-like forms that flow\, collide\, and morph in slow motion\, extending the language of abstraction into the temporal and virtual realm. The title Lines of Thought evokes the line or stroke as a visual motif shared by both media\, while simultaneously highlighting the algorithmic logic of digital creation\, in which a set of commands are given sequentially. At the same time\, the title refers to a challenge to conventional distinctions between analog and digital techniques\, proposing painting as a conceptual act\, what Leonardo called a “mental discourse.” \nWith Lines of Thought\, Lisle offers a vision of painting that is not limited to a material medium\, but rather explores all its possibilities\, moving between brushstroke and code.
URL:https://mallorca.art/event/lines-of-thought-thomas-lisle/
LOCATION:Galera Maior\, Plaça Major\, 4\, Pollenca\, Illes Balears\, 07460\, Spain
ATTACH;FMTTYPE=image/webp:https://mallorca.art/wp-content/uploads/2025/06/Galeria_Maior.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Madrid:20250605T180000
DTEND;TZID=Europe/Madrid:20250915T180000
DTSTAMP:20250602T123337Z
CREATED:20250602T122038Z
LAST-MODIFIED:20250602T123337Z
UID:10000034-1749146400-1757959200@mallorca.art
SUMMARY:I Have Been to the Mountain - Fausto Amundarain
DESCRIPTION:I Have Been to the Mountain\n\nFausto Amundarain’s work is rooted in processes deeply connected to collage\, comic language\, and repetition. His new exhibition at LA BIBI + REUS\, titled I Have Been to the Mountain\, presents an unpublished body of work that draws lines of continuity between his pictorial and sculptural practice. Both are driven by the same gestures: accumulative processes in which forms encounter and repeat themselves in the studio in contingent ways\, as if summoning one another. \nThey call to each other like echoes\, generating a dialectical tension between fullness and emptiness\, between volume and the poetic potential of negative space. Far from signifying absence\, negative space appears here as latency: it speaks to what is possible. The same is true of seeds. A seed is the ultimate metaphor for what may become\, given enough time and care. A kind of habitable dream. In his sculptural series Bird Feeder\, \nAmundarain mechanically reproduces the image of the almond. While it might seem like a direct reference to the island of Mallorca\, where almond trees are abundant\, the work traces a more subtle connection between two islands. It was in Sardinia that the artist found in the almond a sculptural object: a closed seed\, at once a container and a protective shell. From that encounter\, he began to reproduce the almond systematically\, repeating it and encapsulating it in wooden structures that recall the storage of a growing harvest. \nAlso mechanically reproducible. Themes such as the journey\, the island\, the constant questioning of one’s origins\, and the sense of belonging are here linked to the mythical figure of the hero. In classical mythology\, as in Greek narratives\, the hero’s journey is an insular passage\, a voyage from island to island in search of meaning. This ancestral narrative finds its echo in contemporary comics\, where the modern hero continues to face challenges\, transformations\, and unknown territories. \nIn Fausto’s paintings\, recurring symbolic figures appear: the hero\, the hands that lead to action\, the landscape where everything unfolds\, and the mountains as a symbol of hardship to be overcome. In the end\, what are islands if not partially submerged mountains? In the same way\, Fausto’s work remains partially submerged. It requires slow time for contemplation and deciphering. This allows the viewer to find echoes\, the significance of the line\, the cross-references\, and the mutable topography the artist has constructed as his own language. A shifting geography that takes shape through layers and strata\, and that unfolds as a territory to be explored heroically. A journey that invites adventure. To ascend\, each one\, their own mountains.
URL:https://mallorca.art/event/i-have-been-to-the-mountain-fausto-amundarain/
LOCATION:La Bibi + Reus Country\, Carrer del Molí del Comte\, 47A\, Palma de Mallorca\, Illes Balears\, 07010\, Spain
ATTACH;FMTTYPE=image/webp:https://mallorca.art/wp-content/uploads/2025/06/LabibiReus_Country.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Madrid:20250605T180000
DTEND;TZID=Europe/Madrid:20250915T150000
DTSTAMP:20250602T121146Z
CREATED:20250602T115835Z
LAST-MODIFIED:20250602T121146Z
UID:10000033-1749146400-1757948400@mallorca.art
SUMMARY:Under a New Moon - LA BIBI + REUS CITY
DESCRIPTION:UNDER A NEW MOON\nUnder the faint promise of a new moon\, everything seems possible. This\nmoment of darkness\, in which the moon hides\, is not an absence but a prelude\nto transformation. In this sense\, Under a New Moon is more than a title: it is a\npoint of departure and\, perhaps\, a threshold. This group exhibition\, celebrating\nthe convergence between the galleries La Bibi and Fran Reus in their new\nspace in Palma\, explores nocturnal metaphors and invites viewers to move\nthrough landscapes of shadow\, memory\, and change. \n  \nI. Memories in Shadow\nAbel Jaramillo\nCelestino Coronado\nJosé Fiolue\nMarian Garrido \nII. Nocturnal Landscapes\nIrati Inoriza\nPaul Riedmüller\nBel Fullana \nIII. Lunar Cycles\nGröndlund-Nisunen\nMiquel Ponce\nAlejandro Javaloyas\nJulià Panadès \nIV. Reflections\nGrip Face\nCallum Green\nMaite y Manuel\nFátima de Juan \nV. Atmospheres\nAn Wei\nFausto Amundarain\nSrger \n\nUnder a New Moon is not just an exhibition\, but a rite of passage—a collective\njourney into a fertile darkness where new ways of being together\, of enabling\nunexpected encounters\, can emerge. As Octavio Paz once wrote\, “There is no\nmoon that does not cast its shadow\,” and perhaps it is in that shadow where the\npossibilities of what is to come are waiting to be found.
URL:https://mallorca.art/event/under-a-new-moon-la-bibi-reus-city/
LOCATION:La Bibi + Reus City\, Carrer Vilanova\, 8A\, Palma de Mallorca\, Illes Balears\, 07002\, Spain
ATTACH;FMTTYPE=image/webp:https://mallorca.art/wp-content/uploads/2025/06/Grip_Face_LaBibiReus.webp
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BEGIN:VEVENT
DTSTART;TZID=Europe/Madrid:20250605T180000
DTEND;TZID=Europe/Madrid:20250915T180000
DTSTAMP:20250602T115252Z
CREATED:20250602T114504Z
LAST-MODIFIED:20250602T115252Z
UID:10000032-1749146400-1757959200@mallorca.art
SUMMARY:Fragments - Ian Hamilton Finlay
DESCRIPTION:Ian Hamilton Finlay\, an artist\, poet\, and landscape designer\, reinvigorated the classical tradition through a diverse body of work that celebrates the enduring power of words. He is best known for his garden Little Sparta\, set in the Pentland Hills near Edinburgh\, where he lived and worked for the last 40 years of his life. Finlay was a key figure in the concrete poetry movement\, and his extensive poetical and graphical works were published by Wild Hawthorn Press\, which he co-founded in 1961. His visual artworks\, created in collaboration with skilled artists and craftspeople\, are housed in museums\, parks\, and gardens worldwide. \nIan Hamilton Finlay: Fragments will take place in May 2025 at the following locations: Ingleby Gallery (Edinburgh)\, KEWENIG (Palma de Mallorca)\, Galleria Massimo Minini (Brescia)\, Victoria Miro (London)\, David Nolan Gallery (New York)\, Sfeir-Semler Gallery (Hamburg)\, Stampa Galerie (Basel)\, and Galerie Hubert Winter (Vienna).
URL:https://mallorca.art/event/fragments-ian-hamilton-finlay/
LOCATION:Kewenig\, Carrer Sant Feliu\, s/n\, Palma de Mallorca\, Illes Balears\, 07012\, Spain
ATTACH;FMTTYPE=image/webp:https://mallorca.art/wp-content/uploads/2025/06/IanHamiltonFinlay.webp
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BEGIN:VEVENT
DTSTART;TZID=Europe/Madrid:20250605T180000
DTEND;TZID=Europe/Madrid:20250915T180000
DTSTAMP:20250608T212238Z
CREATED:20250602T113625Z
LAST-MODIFIED:20250608T212238Z
UID:10000031-1749146400-1757959200@mallorca.art
SUMMARY:JOHANNA VON MONKIEWITSCH - Florit Florit
DESCRIPTION:Florit/Florit\, formerly known as L21\, presents an exhibition by German artist Johanna von Monkiewitsch during Art Palma Summer 2025. Known for her exploration of light and its interaction with materials\, von Monkiewitsch’s work includes installations\, photography\, and video art. Her pieces often materialize natural light phenomena\, such as sunlight reflections\, creating immersive experiences that challenge perceptions of reality. This exhibition aligns with Florit/Florit’s commitment to showcasing contemporary art that engages with current cultural dialogues. \nImage Copyrights: ALBRECHT FUCHS
URL:https://mallorca.art/event/johanna-von-monkiewitsch-florit-florit/
LOCATION:Florit / Florit\, Carrer de la Reina Maria Cristina\, 10\, Palma de Mallorca\, Illes Balears\, 07004\, Spain
ATTACH;FMTTYPE=image/webp:https://mallorca.art/wp-content/uploads/2025/06/Johanna_Monkiewitsch.webp
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BEGIN:VEVENT
DTSTART;TZID=Europe/Madrid:20250605T180000
DTEND;TZID=Europe/Madrid:20250915T180000
DTSTAMP:20250602T111903Z
CREATED:20250602T111201Z
LAST-MODIFIED:20250602T111903Z
UID:10000030-1749146400-1757959200@mallorca.art
SUMMARY:Ano Tres - Curated by Antoni Ferrer
DESCRIPTION:Antoni Ferrer is pleased to present Año Tres\, a group exhibition celebrating the gallery’s third anniversary. The\nexhibition will include a selection of artists who have been part of the program in these first years. \nYear Three not only celebrates the gallery’s history but also highlights the richness and heterogeneity of the ga-\nllery’s artistic program. It will be a varied exhibition in which we will present painting\, sculpture and installation. \nFermay Gallery represents and collaborates with emerging and established artists who work with different\nmedia and approaches\, and who develop their own experimental languages that contribute to the discourse\nof the plastic arts. The gallery offers a varied program that celebrates the heterogeneity of stories that coexist\nin the contemporary environment. In addition to its commercial activity\, Galería Fermay encourages study and\nreflection on contemporary artistic practices.
URL:https://mallorca.art/event/ano-tres-curated-by-antoni-ferrer/
LOCATION:Galeria Fermay\, Carrer Pare Bartomeu Pou\, 42\, Palma de Mallorca\, Illes Balears\, 07003\, Spain
ATTACH;FMTTYPE=image/webp:https://mallorca.art/wp-content/uploads/2025/06/Fermay_3anos.webp
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BEGIN:VEVENT
DTSTART;TZID=Europe/Madrid:20250605T180000
DTEND;TZID=Europe/Madrid:20250915T180000
DTSTAMP:20250602T101445Z
CREATED:20250602T100956Z
LAST-MODIFIED:20250602T101445Z
UID:10000028-1749146400-1757959200@mallorca.art
SUMMARY:Cannibal Nature - Curated by Rolando J. Carmona
DESCRIPTION:Baró Galeria is pleased to announce CANNIBAL NATURE\, a group exhibition curated by Rolando J. Carmona\, to be presented on the occasion of Art Palma. Summer 2025\, opening on June 5. \nPresenting over 13 artists from 11 nationalities\, the exhibition brings together diverse artistic practices that reflect on the complex relationships between bodies\, environments\, and symbolic systems. \nDivided into two sections—”Antropofa-gias: body/nature” and “Contemporary mythologies / animist landscapes”—the exhibition offers a reflection on the inter-dependence between the human and the non-human\, the physical and the spiritual\, the ancestral and the futuristic. \n\nThe first section\, Antropofagias: body/nature\, features works by: \nAlymamah Rashed (KW)\,\nEstevan Davi (BR)\,\nTecla Tofano (VZL)\,\nJeanne Gaigher (ZA)\,\nMie Olise Kjærgaard (DK)\, and\nGeoneide Brandão (BR). \nThis part explores the body as a living archive in direct dialogue with ecological forms and material transformations. \n\nThe second section\, Contemporary mythologies / animist landscapes\, includes artists \nBruno Novelli (BR)\,\nMamali Shafahi (IR)\,\nTabita Rezaire (FR)\,\nYussef Agbo-Ola (US)\,\nPatricia Domínguez (CL)\, and\nOscar Santillán (EC). \nTheir works suggest myth-making processes and animist perspectives that reimagine relationships with territory\, memory\, and other life forms. \n\nThe selection evokes an ambivalent relationship with nature\, as if through a symbolic gesture of anthropophagy. Through painting\, sculpture\, video\, and installation\, the artists explore the sensitive connections between human and animal intelligence\, land and spirit\, creating hybrid narratives that emerge in the face of ecological and cultural transformation. \n  \n 
URL:https://mallorca.art/event/cannibal-nature-curated-by-rolando-j-carmona/
LOCATION:Galeria Baro\, Carrer de Can Sanç\, 13\, Palma de Mallorca\, Illes Balears\, 07001\, Spain
ATTACH;FMTTYPE=image/webp:https://mallorca.art/wp-content/uploads/2025/06/Baro_Cannibal_Nature.webp
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BEGIN:VEVENT
DTSTART;TZID=Europe/Madrid:20250605T180000
DTEND;TZID=Europe/Madrid:20250912T180000
DTSTAMP:20250602T093922Z
CREATED:20250602T092629Z
LAST-MODIFIED:20250602T093922Z
UID:10000026-1749146400-1757700000@mallorca.art
SUMMARY:Playground - Adriana Meunié
DESCRIPTION:ADRIANA MEUNIE\nEs Llombards\, Mallorca\, 1985 \nAfter completing her fashion studies at the Escola Superior de Disseny\nBAU in Barcelona\, Meunié set up her studio in Campos\, having been dissociated from the world of fashion but fascinated by the textile experience. \nIn this environment that imbues her\, and in constant dialogue with it\, the artist advances in her creative search. Meunié discovers her own textile universe in praise of the intrinsic beauty of the raw material\, of her habitat and its ancestral crafts\, of its very primitive techniques\, making all this hers through the contemporaneity that her hand bestows. \nAdriana Meunié’s voluminous compositions in native vegetable fibers such as carrita\, esparto grass\, raffia\, pieces of natural and ancient fabrics or animal fibers such as sheared wool\, are the result of her admiration for the beauty and essence of the raw. \nThe artists’ works\, which evoke abstract landscapes and the organic shapes of her surrounding nature\, allow the very expression of the raw material as pieces that contain both the purity of the wild and the origin of the deformed\, embracing also the monstrous. In this way\, the works find a balance confronting calm with discomfort. Texture\, shape and volume are the pillars of an investigation that seeks to bring to the interior a purified and neat nature.
URL:https://mallorca.art/event/playground-adriana-meunie/
LOCATION:Aba Art\, Plaça de la Porta de Santa Catalina\, 21B\, Palma de Mallorca\, Illes Balears\, 07012\, Spain
ATTACH;FMTTYPE=image/webp:https://mallorca.art/wp-content/uploads/2025/06/Playground_Adriana_Meunie.webp
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BEGIN:VEVENT
DTSTART;TZID=Europe/Madrid:20260409T130000
DTEND;TZID=Europe/Madrid:20260412T200000
DTSTAMP:20260401T115049Z
CREATED:20260331T155108Z
LAST-MODIFIED:20260401T115049Z
UID:10000041-1775739600-1776024000@mallorca.art
SUMMARY:ART COLOGNE 2026
DESCRIPTION:The Art Cologne 2026 art fair features approximately 88 galleries from 20 different countries\, showcasing modern and contemporary art. \n  \n\n\nDates: April 9–12\, 2026 (the week after Easter). \nLocation: Palau de Congressos Palma Bay\, a sea-front venue near Palma’s cathedral. \nPublic Hours: \n\nFriday\, April 10: 1:00 p.m. – 8:00 p.m.\nSaturday\, April 11: 1:00 p.m. – 8:00 p.m.\nSunday\, April 12: 1:00 p.m. – 6:00 p.m. (Entry is free on this final day)\n\n\nPricing: Tickets start from €12.00\, with Early Bird sales typically available via the official website. \n\nFair Sectors \nThe exhibition is organized into two primary areas to guide your visit:  \n\nGran Saló: Located in the main hall\, this sector features larger booths with established international galleries focusing on Modern and Post-War art. \nParkour: A more compact and experimental sector spread across different levels\, highlighting emerging artists and younger gallery programs. 
URL:https://mallorca.art/event/art-cologne-2026/
LOCATION:Illes Balears
ATTACH;FMTTYPE=image/png:https://mallorca.art/wp-content/uploads/2026/03/Header_Artcologne-scaled.png
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