Espai A: Nachleben. La pintura com a art conceptual

Fins al 06.07.25

Espai B: Pintures Aeropostals – Eugenio Dittborn

Comissariat per Patrick Hamilton
Fins al 15.06.25

Espai C: Punts cardinals – Jessica Stockholder

Comissariat per David Barro i Soad Houman
Fins al 24.08.25

Espai D: The Green Fog – José Fiol

Comissariat per Raquel Victoria
Fins al 04.05.25

Divendres 21 de març, a les 19 h
Cicle de trobades: Pensar la pintura

Una conversa amb Peter Halley, Guillermo Solana i
Enrique Juncosa.

En col·laboració amb Ajuntament de Palma. Casal
Solleric.

Opening hours:

Monday – Saturday
09.00 – 20.30

Saturday
09.00 – 19.00

Sunday
10.00 – 15.00

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Espai Estrella: Miró, 1983 – Joan Miró

Comissariat per Enrique Juncosa
Fins al 15.07.2025

Hall- Plta -1 i Auditori: Extinción – Max de Esteban

Comissariat per Antònia Maria Perelló
Fins al 23.03.2025

Espai Zero: Ecotrò – Laia Ventayol

Comissariat per Aina Pomar
Fins al 23.03.2025

Espai Cúbic: Calder & Miró. Convidats – Alexander
Calder i Joan Miró

Comissariat per l’Equip Curatorial de la Fundació
Fins al 30.03.2025

Opening hours:

Monday – Saturday
10.00 – 18.00

Sunday
10.00 – 15.00

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The exhibition, held at the prestigious CCA Andratx art center in Mallorca, brings together three distinct yet connected bodies of work under the themes of Eternity, Terra, and Domus Meus, showcasing the aesthetic sensibilities and intertwined narratives of a family deeply connected to art, nature, and the island of Mallorca. This exhibition not only celebrates the artistic individuality of each of them but also explores the ties that bind them across countries, materials, and generations.

Despite living on different continents—Australia, Spain, Denmark, and beyond—their upbringing and shared time in Mallorca form the foundation of their work. The land, light, and materials of Mallorca inspire their creations, connecting them to the island’s geography and spirit.

A Nomadic Narrative
This family’s art reflects their nomadic lifestyle, shaped by the soft light of the north and the intense luminosity of the south. Each artist’s practice resonates with this international dynamic:

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Shoreline is an exploration of these singular environments and their relevance to human experience. It addresses the ecological, geopolitical, and aesthetic significance of coastal zones, framing them as natural thresholds and as spaces of “contamination-as-collaboration.”

Providing resilient, diverse ecosystems and acting as natural boundaries, shorelines stand in contrast to the human conception of a border as a fixed and defined separation. Instead, they represent thresholds defined by continuous negotiation. As one description puts it: “It is a site of arrivals and departures, of safe harbours and hostile intrusions. At once embedded in local traditions and subject to industrial development, it hosts encounters between different populations and environments, the terrestrial and the aquatic.”

These points of contact serve as incubators for a remarkable diversity of life, embodying a model of survival and coexistence based on collaboration and symbiosis. As spaces of constant change—and therefore constant vulnerability—Anna Tsing’s concept of contamination as collaboration becomes particularly relevant. Shorelines depend on the evolving relationships and interactions among species, both human and non-human. For instance, tides regulate crab populations by providing birds periodic access to feed on them. Meanwhile, the Gulf of Bothnia, the Red Sea, and the Persian Gulf illustrate how natural coastlines have shaped geopolitical boundaries—many of which now face escalating crises exacerbated by human activity, such as commercial shipping.

Artisits
Maria Thereza Alves
Rachael Louise Bailey
Seana Gavin
Bianca Hlywa
Yulia Iosilzon
YaYa Yajie Liang
Hannah Rowan
Rain Wu

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Rafa Forteza (Palma, 1955) returns to the 6A TALLER I GALERIA D’ART with a solo exhibition under the title “JE SUIS, ENSUITE” (I am, then).
Forteza shares a specific project, in which the noise, in the best sense, pictorial becomes silence in order to invite the viewer to connect with the way of understanding the world, with emotions, with painting in its purest state.

The brushstroke can be, over time it has become more contained, more leisurely, more serene. nothing to do with a possible restlessness, the painter has a lot to say. Forteza is counting, painting, experiencing the different emotions, in layers. it is a constant addition, the isolation of the different pictorial elements is unthinkable because they merge into a whole. Forteza is incapable of subtracting.

Rafa Forteza is the author of a discourse that is at times dense and eloquent, in which the synthesis seems unthinkable, explosive, hot, powerful, without leaving any emotion, any thought, aside. If there is one thing that defines the painter, it is that he hides nothing. What he thinks, what he feels comes to the
surface, in a pictorial staging that does not leave indifferent anyone who decides to enter a limitless universe.

Maturity has positioned painting in a state of complete freedom, in which technical mastery allows it to explore any plot, whether in public or intimate. Forteza’s painting can be fragmented less and less each time, painting and painter are one whole. Over the years, painting has become a self-portrait. He speaks as he paints, he paints as he lives. A unique experience that he generously shares. The 6th offers an exhibition in which painting, lithography and above all paper are the protagonists.

The author has always had traditional printing techniques as a resource that he has made his own. He masters the technique of engraving and lithography like no one else. On this occasion, the graphics come together in a sort of suite of a unique pictorial series. The title refers to the terminology used in the language of intaglio printing throughout the history of art. In an inevitable play on words, Rafa Forteza puts us, once again, in front of the challenge of experiencing painting in freedom. The exhibition opens next Thursday, June 5th from 6pm to 10pm, as part of L’ART PALMA SUMMER.

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Participating artists:
MAÍLLO (Madrid, 1985)
ADRÍAN MARTINEZ (Ibiza, 1984)
ALBERT PINYA ( Palma, 1985)

“UDOL” brings together the work of 3 artists, Albert Pinya, Maíllo, and Adrián Martínez, the 3 belonging to
the same generation, born in the mid-80s and with very personal artistic languages ​​through which
they express a certain subversion towards what is established. Through their pictorial work,
with a certain punk attitude, and always experimenting, in a continuous search that aims to generate
reflection in the viewer.

Three artists with an already extensive and recognized career, who share not only a generation, but also a bold and personal approach to their art. They seek through their work to challenge the conventional and provoke reflection in those who observe it. This punk attitude and their constant experimentation certainly bring a unique energy to their work and to the exhibition as a whole. A special interest in bringing pictorial practice to other supports is also evident in this exhibition, in an interest in experimentation and innovation, both in terms of language and in the support itself. Research in textiles, ceramics and other materials enriches their artistic work and makes this a unique exhibition. By combining different techniques and media, these artists can explore new textures, shapes and concepts. In addition, each support has its own history and characteristics, something that undoubtedly influences their creative process. In “UDOL” painting is understood as a means of expression and transformation at a cultural, political and social level.

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The exhibition space consists of eight galleries and an outdoor sculpture trail that has featured works by some of the most prestigious contemporary artists and great masters of modern art, such as Louise Bourgeois, Mark Bradford, Martin Creed, Roni Horn, Rashid Johnson, Pipilotti Rist, and Christina Quarles.

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Es Llombards, Mallorca, 1985

After completing her fashion studies at the Escola Superior de Disseny
BAU in Barcelona, Meunié set up her studio in Campos, having been dissociated from the world of fashion but fascinated by the textile experience.

In this environment that imbues her, and in constant dialogue with it, the artist advances in her creative search. Meunié discovers her own textile universe in praise of the intrinsic beauty of the raw material, of her habitat and its ancestral crafts, of its very primitive techniques, making all this hers through the contemporaneity that her hand bestows.

Adriana Meunié’s voluminous compositions in native vegetable fibers such as carrita, esparto grass, raffia, pieces of natural and ancient fabrics or animal fibers such as sheared wool, are the result of her admiration for the beauty and essence of the raw.

The artists’ works, which evoke abstract landscapes and the organic shapes of her surrounding nature, allow the very expression of the raw material as pieces that contain both the purity of the wild and the origin of the deformed, embracing also the monstrous. In this way, the works find a balance confronting calm with discomfort. Texture, shape and volume are the pillars of an investigation that seeks to bring to the interior a purified and neat nature.

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Presenting over 13 artists from 11 nationalities, the exhibition brings together diverse artistic practices that reflect on the complex relationships between bodies, environments, and symbolic systems.

Divided into two sections—”Antropofa-gias: body/nature” and “Contemporary mythologies / animist landscapes”—the exhibition offers a reflection on the inter-dependence between the human and the non-human, the physical and the spiritual, the ancestral and the futuristic.

The first section, Antropofagias: body/nature, features works by:

Alymamah Rashed (KW),
Estevan Davi (BR),
Tecla Tofano (VZL),
Jeanne Gaigher (ZA),
Mie Olise Kjærgaard (DK), and
Geoneide Brandão (BR).

This part explores the body as a living archive in direct dialogue with ecological forms and material transformations.

The second section, Contemporary mythologies / animist landscapes, includes artists

Bruno Novelli (BR),
Mamali Shafahi (IR),
Tabita Rezaire (FR),
Yussef Agbo-Ola (US),
Patricia Domínguez (CL), and
Oscar Santillán (EC).

Their works suggest myth-making processes and animist perspectives that reimagine relationships with territory, memory, and other life forms.

The selection evokes an ambivalent relationship with nature, as if through a symbolic gesture of anthropophagy. Through painting, sculpture, video, and installation, the artists explore the sensitive connections between human and animal intelligence, land and spirit, creating hybrid narratives that emerge in the face of ecological and cultural transformation.

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Year Three not only celebrates the gallery’s history but also highlights the richness and heterogeneity of the ga-
llery’s artistic program. It will be a varied exhibition in which we will present painting, sculpture and installation.

Fermay Gallery represents and collaborates with emerging and established artists who work with different
media and approaches, and who develop their own experimental languages that contribute to the discourse
of the plastic arts. The gallery offers a varied program that celebrates the heterogeneity of stories that coexist
in the contemporary environment. In addition to its commercial activity, Galería Fermay encourages study and
reflection on contemporary artistic practices.

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