Prudencio Irazabal – Piano Transcriptions

Although certain mechanisms of music have sometimes served to approach painting, it should be clarified that these Piano Transcriptions (Piano transcripts) have very little to do with it, since painting and music are two universes that do not obey the same law, according to Pierre Boulez.

In the main room three works of wide and luminous instrumentation are shown, where the scale and color are protagonists. It could be said that the works of the adjoining room, due to their reduction to a domestic size and by the contraction of color and light, dialogue with those three from the concept of transcription: as if the chromatic mass had been transcribed to the voice of a single instrument and to the variations on the bright black of the lacquer of the piano.

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